Going “Weirder” for the Score of Netflix’s ‘Beef’ Season 2 Could Earn Finneas His First Emmy
Drawing on series creator Lee Sung Jin’s originality and 2010s indie references, the Grammy- and Oscar-winning artist crafted a tense, synthy soundtrack that rarely fades into the background.
Drawing on series creator Lee Sung Jin’s originality and 2010s indie references, the Grammy- and Oscar-winning artist crafted a tense, synthy soundtra
Read Full Story at Hollywood Reporter →Why This Matters
Finneas’s unconventional score for *Beef* Season 2 isn’t just a creative gamble—it’s a bold statement about the evolving role of music in prestige television. By prioritizing tension and unrelenting synth over traditional melody, he’s redefining what a soundtrack can do, pushing the medium toward a more immersive, almost cinematic experience.
Background Context
Before *Beef*, Netflix’s biggest original series often leaned on orchestral or pop-centric scores to elevate drama, but Finneas’s work aligns with a growing trend of artists from non-traditional backgrounds shaping TV’s sonic identity. His Grammy-winning background in avant-pop and his Oscar win for *Moonlight* give him a rare credibility to experiment where others might not dare.
What Happens Next
If Finneas secures his first Emmy, it could accelerate the industry’s shift toward hiring multi-hyphenate artists over traditional composers—especially for shows aiming for a modern, off-kilter aesthetic. It might also embolden Netflix to greenlight more projects where the music isn’t just background noise but a character in itself.
Bigger Picture
This moment reflects a broader blurring of lines between film, TV, and music, where creators like Finneas operate across all three. As streaming platforms chase differentiation, expect more scores that defy convention, treating silence and dissonance as powerful tools rather than risks.
