The ‘Backrooms’ soundtrack is getting a vinyl release
The A24 movie has scored the studio’s biggest weekend and become a hit with horror fans The soundtrack for hit horror film Backrooms is going to be pressed on vinyl later this summer. The A24 movie…
The A24 movie has scored the studio’s biggest weekend and become a hit with horror fans The soundtrack for hit horror film Backrooms is going to be p
Read Full Story at NME Music →Why This Matters
The vinyl release of Backrooms' soundtrack isn’t just a collector’s novelty—it reflects how horror’s sonic identity has evolved from atmospheric dread to a cultural artifact. By giving the film’s unsettling score a physical medium, A24 isn’t just catering to nostalgia; it’s validating the genre’s growing legitimacy in music markets typically dominated by mainstream soundtracks.
Background Context
A24 has long blurred the lines between film and music, but Backrooms’ success marks a shift: its ambient, non-traditional score—composed by Kevin Laferriere—resonated with audiences who associate horror with visceral soundscapes rather than melodic hooks. This trend mirrors the rise of "lo-fi horror" and YouTube’s algorithmic embrace of eerie, repetitive audio as standalone content.
What Happens Next
The vinyl’s release could prompt A24 to prioritize soundtracks for future genre films, especially as vinyl’s resurgence shows no signs of slowing. Meanwhile, the soundtrack’s underground popularity might inspire more artists to experiment with horror-adjacent sound design outside traditional film contexts—think modular synth composers or ASMR creators recontextualizing Laferriere’s techniques.
Bigger Picture
This moment underscores how horror’s sonic language has become a cross-disciplinary bridge between film, music, and internet subcultures. From Trent Reznor’s Gone Girl score to the viral rise of Local 58’s sound design, the genre’s audio is no longer ancillary—it’s a primary medium for evoking dread, nostalgia, and shared cultural memory.
